FILMSKI LEKSIKON [Bosko Tokin Vladeta Lukic] on *FREE* shipping on qualifying offers. Filmski leksikon: A-Ž by Bruno Kragić · Filmski leksikon: A-Ž. by Bruno Kragić; Nikica Gilić;. eBook: Document. Croatian. Zagreb: Leksikografski zavod. Filmski leksikon. Front Cover. Bojan Kavčič. Modrijan, QR code for Filmski leksikon Performing Arts / Film & Video / History & Criticism. Export Citation.
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She is author of Embroidered with Gold, Strung with Pearls: Her areas of interest include written and oral traditional literature from the South Slavic region, methodologies of teaching South Slavic languages, and film. She wrote Imagined Dialogues: He published also godina filma u Hrvatskoj keksikon, Dvanaest filmskih portreta and Cilmski filmska povijest ukratko Managing editor of the film quarterly Croatian Film Chronicle Hrvatski filmski ljetopis and a board member of the Croatian Association of Film Critics.
He is a regular contributor to Croatian radio and television, and has been publishing reviews, essays and other film-related texts on several Internet sites as well as in the Croatian Film Chronicle Hrvatski filmski ljetopis.
Bojan Kavcic (Author of Filmski Leksikon)
She also holds an M. Her dissertation explored the link between politics and aesthetics filmsku Ukraine and Russia during the first post-communist decade. She is currently also working as a junior researcher on the Croatian Glossary of Film Terms. He has published six books of novels and short stories which have been translated into German, English, Italian, and Bulgarian. She has worked domestically and internationally as a strategy consultant and researcher.
Self-Reflections on Serbian Cinema Ramet she co-edited Kazaaam! Gender, media and film theorist.
Cinema Prive – Filmski leksikon @SKCNS Fabrika
Film critic and publicist whose numerous articles and essays have appeared in newspapers, specialized arts and culture magazines, radio and TV programs, film publications, and lexicons. Film critic, screenwriter, and film scholar, who has published over journalist pieces on topics ranging from lekskon, literature, language, to politics, and about twenty scholarly articles on Croatian film.
He is currently writing a monograph examining the changing portrayals of masculinity in Soviet film during the Khrushchev era and an essay on the cinematic representations of queer characters in post-Yugoslav film. Her interests include Yugoslav and Post-Yugoslav film and literature, translation, and Russian and European novel.
He also edits Ubiq, a literary journal for science fiction, filnski has co-edited a critical anthology of Croatian science fiction stories. He is a regular film critic and contributor to several Croatian daily newspapers. His special interests include media representations of gender and sexuality in Soviet and East European history. Some of her other projects concern Croatian Renaissance drama and filmskii application of databases in researching oral poetry.
Former editor for film, theater, and literature of the Third Program cultural program of Radio Zagreb, from — l assistant professor of literary history at the Department of Comparative Literature of the School for Humanities and Social Sciences in Zagreb, and from — principal editor of the Film Programming Division for Croatian Radiotelevision.
Holds degrees in comparative literature leskikon English language and literature from the University of Zagreb and an M. He teaches the history of cinema and the history of Croatian cinema at the University of Split. Film critic and historian, and co-editor of Filmski leksikon Her short stories have filmskj included in numerous Croatian and international anthologies.
American Influence on European Popular Culture, to Present Rowman and Littlefield,and is author of over thirty book chapters and articles. Writer and director based in Brooklyn, NY. Currently completing his Ph.
He is a member of several committees and film juries for various Croatian film festivals. Professor of Russian language, literature, and culture at Tufts University Boston and specialist in Soviet and post-Soviet, especially Russian and Central Asian, cinema.
A member of several film and theater boards, since also artistic director of Days of Croatian film Dani hrvatskog filma. She is author of Terror and Joy: Before retirement he was a member of the Croatian Parliament.
She is currently writing a book on the impact of the Balkans wars of the s on literary and cinematic developments in the region. He has been involved in Croatian film for some fifty years in various capacities ranging from support actor as a studentto script editor, documentary director, distributor, director of the national Film Festival in Pula, president of the Croatian Association of Film Critics and lecturer lekskon the history of Croatian film for ten years at the Academy of Dramatic Art in Zagreb.
Her research interests focus on culture and politics in totalitarian and post-totalitarian societies around the world.
Contributors’ Details Aida Vidan editor: With her husband, James, she founded an annual international seminar on the themes of war and peace in literature and philosophy that takes place in Croatia and Bosnia and Herzegovina. He is the screenwriter for the youth program, Kokiceat Croatian Radiotelevision where he also works as a film critic for the program Dobro jutro, Hrvatska as well as on the program Licem u lice for Croatian Radio.